Kodak Gold 200 from 1997 was a quintessential consumer color negative film, designed to be an excellent, accessible all-purpose stock.

Fujicolor Super HG 200 (produced in the mid-1990s) was a consumer-grade color negative film that formed part of Fujifilm's "Super HG" line, which preceded the popular Superia series (introduced around 1998).

Kodak Ektar 100 is a professional-grade ISO 100 color negative film known for its ultra-fine grain , which Kodak claims is the finest of any color negative film available. Its signature look is defined by ultra-vivid color and high saturation , producing images with strong contrast and a vibrant pop, especially in reds, blues, and greens. While this makes it a favorite for landscape, travel, and commercial photography where colors need to sing, its tendency to accentuate a

Kodak Portra 400 is widely considered the gold standard for professional color negative film, renowned for its exceptional quality at an ISO 400 speed.

Ilford HP5 Plus is a highly versatile and classic black-and-white film, beloved by beginners and professionals alike.

Kodak Professional Tri-X 400 (400TX) is a legendary, high-speed, panchromatic black-and-white film known for its classic look and exceptional versatility.

Kodak Ultramax 400 is a popular, budget-friendly, consumer-grade color negative film renowned for its excellent versatility and user-friendly performance . It is an ISO 400 film, making it highly suitable for a wide range of lighting conditions, from bright daylight to indoor and low-light scenarios, and offers a wide exposure latitude for forgiving results. Ultramax 400 is characterized by bright, punchy, and vibrant colors with a noticeable warmth, and it excels at reprod

Kodak Gold 400 is a versatile, consumer-grade color negative film that strikes an excellent balance between speed and signature aesthetics. While the current primary consumer 400 ISO film from Kodak is Ultramax, the historic Kodak Gold 400 (a legacy name also applied to some versions of Ultramax) is fundamentally known for offering a slightly faster alternative to Gold 200, allowing for more flexibility in mixed or low-light situations. It retains the classic warm, yellow/go

Ilford Delta 3200 (pulled to 1600)

80's feel on Fuji Superia 400 using a Nikon FE